

- SUMMERTIME MADNESS WITH LYRICS HOW TO
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I’ve also still got copies of some of the old vinyl releases, and I’ve just released the first in a set of charitable cassette compilations to raise awareness about the continued use of broken windows policing methods. ITS THE SUMMERTIME SUMMERTIME MADNESS LYRICS WINDOWS
SUMMERTIME MADNESS WITH LYRICS PLUS
Plus I’ve put together a playlists section with a handful of spotify lists that hopefully start to capture a updated version of the moods we used to peddle. ITS THE SUMMERTIME SUMMERTIME MADNESS LYRICS PLUS Give those a listen and a ❤ if you would be so kind. If people want me to put together soundcloud playlists, or something else, give me a holler. With our particular indifference to an imposed rationality, all semblance of alterity had been lost It was then, floating in the passivity of induced consumption, in which it became clear that this functional mechanism of time was but a codified drift. Music–especially electronic music–is usually a feeling exercise. It’s for dancing, for crying, for running. Most artists just want their art to make you feel something. I’ve always subscribed to the idea that the worst reaction art can evoke is indifference.

As much as I hope my own music gives people good feelings, I’d ultimately much rather a song I write elicit a strong negative reaction like disgust rather than boredom or indifference. But some of my favorite music is also thinking music. Music can have tremendous activating effect on the occipital lobe and frontal cortex - it can conjure not just emotion, but also give us visions, trigger complex thought and academic inspiration.
SUMMERTIME MADNESS WITH LYRICS FULL
Thodén (real name Kris Rehfeld) is a Danish artist whose music has that desired substantial emotional effect, but is also full of visual stimulus. ITS THE SUMMERTIME SUMMERTIME MADNESS LYRICS FULL

This may or may not be by design– Rehfeld’s debut album, This Codified Drift was written during the first lockdown, at at time when we all had more time for thinking, and maybe a little less room or willingness to feel. The album doesn’t hit you over the head with meaning. It’s bursting with imagery, but it’s all cloaked - it’s left to the listener to decide what this music means. Listening to a song like “Hyperreal”, I find myself fantasizing about the patterns of wasps nests and the organization of anthills. “Gush” feels like the frustration of new lust when you’re feeling intense magnetism, but trying to play it cool.
